You may be interested in this video? Of me, “fake/recreating,” very quickly one of my mastering job… Notice how the last pattern has a few less lines? That is what I am talking about… Somewhere on this forum, I am sure I have another example project file named, “mastering example,” but the one I linked above is brand new, from today, and different from the other. Here is an example project file, this file assumes that you have installed the Freeware Dither Plugin that I linked, and it has been scanned and is ready to go: Also, I have no idea, how the soft clip function would work, because it is after dithering on the chain, if you so choose to use that. ![]() Not the one I would give if I: Knew what vst’s you had access to. Remember, I am giving the Native Renoise Solution here. On your second compressor you want the setting of Brick Wall Limit, followed by the Freeware RDR Dither, and finally, if you want to get a bit of extra gain… 1 or 2 db, you might want to try, the autoclip on the Renoise Master, and use the threshold/makeup controls, on the second compressor that is in brick wall limit mode!! ( Its beyond the scope of this response to explain that in true detail. On your eq, you are looking to make a classic mastering, “smiley face,” and you can google that, I am sure somewhere on the web is an article. You do not want more than 6 db of make up, and you do not want more than 4 db of gain reduction, and even for db is a lot imho. Here is where the tricky part begins: Ideally on your first compressor you look for a longer attack, longer release, gentle knee, gentle ratio, and bringing the threshold down, and then turning the makeup gain up.
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